African American Atheists and Political Liberation: A Study by Michael Lackey

By Michael Lackey

This examine of atheist African American writers poses a sizeable problem to people who see atheism in despairing and nihilistic phrases. Lackey argues that whereas so much white atheists mourn the lack of religion, many black atheists--believing the “God-concept” spawns racism and oppression--consider the dying of God a reason for private and political hope. 

Focusing on a little-discussed element of African American literature, this full-length research of African American atheists’ therapy of God fills a big hole in reports that always forget about their contributions. interpreting how a trust in God and His “chosen humans” necessitates a politics of superiority and inferiority, Lackey implicitly considers the measure to which non secular religion is accountable for justifying oppression, even acts of actual and mental violence.
In their secular imaginative and prescient of social and political justice, black atheists argue that in simple terms whilst the tradition adopts and internalizes a very atheist politics--one in keeping with pluralism, tolerance, and freedom--will radical democracy be completed. Of basic curiosity to students of African American experiences, this quantity will also attract non secular students, philosophers, anthropologists, freethinkers, and non secular and secular humanists.
 

Show description

Read Online or Download African American Atheists and Political Liberation: A Study of the Sociocultural Dynamics of Faith PDF

Similar african american books

Invisible Criticism: Ralph Ellison and the American Canon (1st Edition)

Post 12 months notice: Paper variation 1972. First released (hardcover) in 1988
-------------------------

In 1952 Ralph Ellison gained the nationwide e-book Award for his Kafkaesque and claustrophobic novel in regards to the lifetime of a anonymous younger black guy in big apple urban. even supposing Invisible guy has remained the one novel that Ellison released in his lifetime, it's regularly considered as the most very important works of fiction in our century.

This new analyzing of a vintage paintings examines Ellison's relation to and critique of the yank literary canon via demonstrating that the development of allusions in Invisible guy varieties a literary-critical subtext which demanding situations the permitted readings of such significant American authors as Emerson, Melville, and Twain.

Modeling his argument on Foucault's research of the asylum, Nadel analyzes the establishment of the South to teach the way it moved blacks from "enslavement" to "slavery" to "invisibility"—all within the curiosity of holding a firm of strength in response to racial caste. He then demonstrates the methods Ellison wrote within the modernist/surreal culture to track symbolically the heritage of blacks in the US as they moved not just from the 19th century to the 20 th, and from the agricultural South to the city North, yet as they moved (sometimes disregarded) via American fiction.

It is in this latter move that Nadel focuses his feedback, first demonstrating theoretically that allusions can impel reconsideration of the alluded-to textual content and hence functionality as a sort of literary feedback, after which examining the categorical feedback implied by way of Ellison's allusions to Emerson's essays and Lewis Mumford's The Golden Days, in addition to to "Benito Cereno" and The Adventures of Huckleberry Finn. Nadel additionally considers Ellison's allusions to Whitman, Eliot, Joyce, and the hot Testament.

Invisible feedback should be of curiosity not just to scholars of yank and Afro-American literature but in addition to these desirous about problems with literary conception, rather within the components of intertextual relationships, canonicity, and rehistoricism.

12 Years a Slave

A strong and riveting condemnation of yank slavery, 12 Years a Slave is the harrowing precise tale of Solomon Northup who used to be abducted and bought into slavery, enduring incredible degradation and abuse till his rescue twelve years later. Steve McQueen's strong movie version starring Chiwetel Ejiofor, Brad Pitt, Michael Fassbender and Benedict Cumberbatch received top photo at either the Oscars and the Golden Globes in 2014.

The encyclopedia of the Harlem literary renaissance

A extensive creative circulation of the Nineteen Twenties and early '30s, the Harlem Renaissance used to be essentially the most effective eras in American literary background. targeting the literary part of the stream - the writers, works, periodicals, editors, publishers, critics, and comparable subject matters - Encyclopedia of the Harlem Literary Renaissance presents authoritative assurance and distinct perception into the literature of the Harlem Renaissance.

Extra resources for African American Atheists and Political Liberation: A Study of the Sociocultural Dynamics of Faith

Example text

Therefore, if she wants to do God’s will, she must submit, in all humility, to the dictates of her husband. While Forster and Larsen create characters who use the God concept to justify violence, oppression, and abuse, to critique the theological structure of mind, T. S. Eliot actually uses the God concept in order to justify banishing a particular group from the culture. Following the apostle Paul, Eliot asserts “the primacy of the supernatural over the natural life” (“Religion” 108). This supernatural/natural distinction necessitates two types of knowledge, which Eliot defines in terms of tradition and orthodoxy.

At a conscious level, the discourse is readily accessible to all who understand the sentences. However, these assertions, offensive as they are, do not concern Fanon and Redding very much. Rather, they are more concerned with the implicit function of the God concept and how it operates “on a level of subconsciousness” (Redding 138). This function relates to the believers’ spiritual epistemology. To know a spiritual being like God, one must be a spiritual being. It might seem that all people are composed of matter and spirit, which would imply that all “people” would have the inborn potential to know a spiritual reality.

This is an overt claim that all people can understand. On the subconscious level, whites, who possess a spiritual faculty of perception, can communicate with God, so they can determine (hence their intellectual agency) what God’s will is. As beings in communication with God, white folk are definers, not the defined. Conversely, blacks, who do not possess a spiritual faculty of perception, cannot communicate with God, so they cannot determine (hence their lack of intellectual agency) what God’s will is.

Download PDF sample

Rated 4.39 of 5 – based on 33 votes